Two and a half hours south of Washington, D.C., outside of Columbia, Virginia, in a former three-car garage on the north side of the James River, the designer Jomo Tariku and the woodworker David Bohnhoff are redefining contemporary African furniture. In the studio, African mahogany shavings cover a section of the floor as they collaborate on museum-worthy chairs and stools, and the smell the wood casts off as the day heats up permeates the space.
Born in Kenya and raised in Ethiopia, Tariku came to the United States in 1987. After studying industrial design at the University of Kansas, he eventually moved to the suburbs of D.C., where he works as a data scientist. Tariku bucks against the modern definition of African furniture, usually relegated to pieces with a Eurocentric aesthetic with a twist, such as colorful batik upholstery. Instead, the large spiral horns of the male mountain antelope found in Ethiopia’s Bale region, for instance, inspired his Nyala chair. Highly sculptural in nature, the curving wooden back of the chair seems to defy gravity, serving as a functional marvel. And his MeQuamya chair riffs on the T-shaped prayer staffs used in Ethiopian Orthodox ceremonies, found in rock-hewn churches in the region that date back to the sixteenth century. […] CONTINUE READING
